I’m speaking (LT) about the themes and motivation of Enjoy the Now in the video-tour of the project’s exhibition at Prospektas gallery, Vilnius

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Enjoy the Now
solo exhibition
opening November 18
Prospektas photography gallery, Vilnius

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Workshop: “Images in Conflict: How to Respond to War?”
Estonian Academy of Arts, 2022 10 24-28

I’ll be supervising a 5-day workshop dedicated to conflict and war imagery as well as exploring a variety of potential critical, artistic, and emotional responses. How can we, as artists and practitioners of visual culture, make sense of the turbulent changes and violent conflicts? As photographers, we have a particular relationship with image-making that necessitates an informed, responsible approach to the tasks of consuming and making images in times of conflicts.

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I’ve curated Repetition Room
a solo show by Tom Lovelace
2022 07 01 – 07 30
Atletika, Vilnius

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I spoke with Ieva Raudsepa about Surfaces series and my participation in Riga photography scene

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Solo exhibition Surfaces is on view at ISSP gallery as part of Riga Photography Biennial

The show presents a new body of work exploring the exterior side of photographs in an installation that features specially commissioned audio composition by Gailė Griciūtė and custom frames by Sam Margevicius

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Measured Perspectives

Artists: Katja Mater and Erin O’Keefe
Exhibition architect: Pauls Rietums

2022 04 21 – 06 12
Riga Art Space
part of Riga Photography Biennial

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Vorsprung durch Technik

Atletika gallery, Vilnius
2021 11 05 – 28

A collaborative group exhibition presenting new works by Ona Juciūtė, Lina Lapelytė & Salomėja Petronytė, Paulius Petraitis, Andrej Polukord, and Rokas Pralgauskas

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Lewis Bush’s review of A man with dark hair and a sunset in the background is on C4 journal

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Book launch & discussion:
A man with dark hair and a sunset in the background
as part of Printed Matter’s Virtual Art Book Fair

27 February 2021
11 EST / 16 GMT / 18 LT
In conversation with Eugenie Shinkle

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“But Petraitis’ project takes machine learning at its word, at least to begin: he examines its learning capacities, both by measuring its progress over time, but also by permitting a direct relation to be drawn between the image and its reading – a semiotic act, in which we as viewers can participate, comparing the caption to our own understanding. And yet we might sense that Petraitis also asks a more complex and serious question than this: if we are going to entrust a lot of our decisions to devices and software, then shouldn’t we know what and how they think?”

Duncan Wooldridge on A man with dark hair and a sunset in the background for Blok magazine

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Keiu Krikmann wrote about A man with dark hair and a sunset in the background for Echo gone wrong

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A man with dark hair and a sunset in the background
Published by 6 chairs books & Lugemik
Design by Tadas Karpavičius
Text by Monika Kalinauskaitė

Available to order via sixchairsbooks

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Interview (in Lithuanian) about my new book, photography and different ways technologies are affecting creativity with researcher and artist Geistė Kinčinaitytė

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On Photographic Beings
At the Latvian National Museum of Art
As part of Riga Photography Biennial 2020

With Evy Jokhova, Ode de Kort, and Tom Lovelace

2020 10 03 – 11 08